thrifty $1


Thrifty $1

This is the last of my Sandy In Black And White series for now. I need to load my Holga with more Tri-x and wait for a rainy day.

This is one of the latest business in what is known as The Junker Building. For reasons I don’t understand, businesses do not stay around for very long here. It makes me kind of sad. This thrift shop has been holding steady for several months though.

Geeky Bits
Camera: Holga 120N
Film: Tri-x
Development; Stand developed for 1 hour in Adonal.

Open 24 hours


Open 24 hours

Continuing my series of photos taken in Sandy with my Holga in Black and White film. Here is the little market down the street where I get my potato chip fix in the afternoons on a rainy day. It’s got that kinda cool, run down feel to it. And it’s open 24 hours.

Geeky bits:
Camera: Holga 120N
Film: Tri-x
Development: stand developed in Adonal for 1 hour

The Little White Church


The little white church

At the end of last year – sometime in November or December (maybe even October) I was inspired to load my Holga with Tri-x and wander around town with it. It was a rainy day. I finally got around to uploading some of the photos this week and I kinda dig them. I am thinking that I will do a series of Holga + Tri-x photos in my small town. That combo + a rainy day work very well. And we certainly have lots of rainy days around here.

I will post more of this series in the near future!

Also: Can I just say that I really love my Holga. It holds such a special place in my heart. It was the camera that lured me back into this remarkable and wonderful world of Film Photography. I really need to give it more love.

Geeky bits:

Camera: Holga 120N
Film: Tri-x
Development: Stand developed in Adonal for 1 hour.

The Great Transatlantic Pinholga Filmswap Project


flowers on the water

Today’s image is from a recent film swap I did with my buddy Brendan, which has led to a project I recently started, and that I am going to share with you today. I am really excited about it!

Several months ago I did a film swap that involved sending my Pinholga to Ireland so that Brendan could double expose over the roll I had already shot. He then reciprocated by shooting a roll, re-winding it, and delivering the camera back to me when we met in Amsterdam. I re-shot the roll in Portland later that month.  The photo above is from the second roll. You can see my favorites from the two rolls here and here.  You can read Brendan’s blog post about it here.

It was a lot of fun seeing my camera on location in Ireland and I was tempted to ask him to send it along to someone else, but I didn’t really have a solid plan in my head for where it should go so I put the idea on the back-burner.

Well. I found out last Friday that the Traveling Yashica is on it’s way to me.  I am going to shoot two rolls with this camera, One for me and one to rewind, put back in the camera, and send back to Hamish where he will re-shoot the roll.

Thinking about this  was the catalyst that brought my idea to fruition: The Great Transatlantic  Pinholga Filmswap Project.  It will be a traveling camera project, like the Traveling Yashica, but with a film swap, pinhole twist. Two rolls of film will be shot. The camera will come loaded with film that has been shot and rewound by the previous person. Then they will shoot another roll, rewind it, and send it on to the next person on the list. And so on, and so on.

I asked a few of my pinhole photography friends if they were interested and I received lots of great feedback and have a nice list of people that will take the project through for a few months!

The idea came to me on Friday and by Sunday morning I’d created a blog for my project. It even has it’s own Twitter and IG hashtag! You can follow it’s adventures on social media here!

If you are interested in the project you can follow the blog:

The Great Transatlantic Pinholga Filmswap Project

If you are interested in participating let me know! The more the merrier!

I am so excited to see how this all plays out!!

Happy Birthday to my guy

Pinhole shot by my husband, Rafael.

Today is my Favorite Person’s birthday! I am so glad he was born. He fills my heart and my life with love. Which is good, because all of the overflowing love is spread out to the rest of the world. ‘Cause that’s how love works. He makes my life interesting and I am honored to have him as a partner.

Rafael took this photo with the Holga Pinhole camera while we were on vacation in Seattle. It is another view of this sculpture from the Olympic Sculpture Garden. I saw this photo on my computer this morning and was so stoked that I had to share it with you (with his permission). I think he might be catching the Pinhole Bug, as well!


Pinholing myself and others


drum circle
I am drawn toward pinhole photographing people, myself included. I am fascinated with what might happen on film when movement is blurred for longer periods of time. Maybe a person will show up on the film. Maybe they won’t. If they do show up, how will it happen? In the photo above I used my Holga and photographed a drum circle I participated in last month the evening of the super moon. This photo was exposed for 20 minutes. I wanted to make sure something was in focus the entire time so I placed the camera close to the candle holder. I wasn’t sure how this would turn out at all because there was a ton of movement. At one point someone came and sat down on the table the camera was on and I was afraid they were blocking the view, but that wasn’t the case. Or if they did, there was enough of the exposure prior to them sitting down for it to be captured on film.


I thought I would also experiment with self portraits. I captured myself meditating for 10 minutes. I love the way my image is there and is not there. Again, I used my Holga. This time I used 400 speed film, Fuji. I don’t like the subdued colors of this film. I prefer the saturation of the Ektar (used above).

Afternoon at the waterfall pool

This was taken with my Zero 2000 at a waterfall in the Columbia Gorge on a hot day. I think it is a 2 minute exposure using Ektar 100. Again, I dig the movement of the people. It’s not a perfect photograph but It is one that has me thinking about photographing crowds of people.

Pinhole Photography class

Oh the humanity

Oh the humanity

I took a pinhole photography class this past Sunday! It was FUN. It was taught by Zeb Andrews who does amazing work. I learned so much. Part of the class was spent in the classroom where he went over the technical aspects of pinhole cameras. We also looked at some examples of some of the things you can do with this type of photography. Then we went out on the town and snapped away.

It was really cool to have Zeb there to help out with little things. I feel like my knowledge on this subject grew exponentially in one afternoon, just by having been with an expert in the field for a few hours. Interesting how that happens. It makes me realize that photography is something I need to get out there and do with other people more often. I miss all of the learning that happens when you shoot with others.

We were provided with a Holga Pinhole camera and two rolls of Ektar 100 film. Here are my favorites (in addition to the one above).

Exposure time was around 5 seconds (I think).

Exposure time was a minute and a half.

Exposure time might have been 15 seconds (but I honestly can’t remember).

A couple  of the things that I am completely fascinated with:

  1. These cameras have insane depth of field. There is only one aperture setting on this camera: f/192. Yes, that is correct. f/192. Most cameras only go up to f/22. Since everything in the shot is in focus, you are able to take advantage of every single detail in the frame. I could go nuts with this.
  2. Since the aperture is so tiny you have to have longer exposures to let the light in. This allows for really incredible motion blur in broad daylight. In the photo at the top of this post I set my camera down on the ground so I could get a shot of the bridge and the river. As I started my exposure a crowd of people marched by and created this crazy wave of ghostly apparitions. I didn’t expect this at all (because I can’t control what people do). That’s part of the fun of this. Since the exposures are longer you can’t really control what goes on during the exposure and the result is unexpected. People move around and the faster they move the more transparent they become. This is another thing I want to play around with more.
  3. Pinhole photography is, essentially, an in-depth study in exposure. The only thing you have control over is exposure time. Everything is in focus so you don’t have to worry about that. There is no aperture to control. It is completely and totally about exposure time. I like this. I like how it forces you to really focus in on this one aspect.

I am taking my camera with me to the beach this weekend. I can’t wait to see what this camera does to the ocean waves!